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July 2008

That White Girl.

When I first heard about That White Girl I hated on it. Had I actually thought I was the only white girl who loved hip hop as an agent for social change? I think I did. I felt my experience was so unique that I was surprised and ultimately relieved how similar J-Love's story was to my own. It never feels good to feel misunderstood.



And then I found out that J-Love was the same person who wrote "WHITE LIKE ME: 10 Codes of Ethics for White People in Hip Hop" an article I reference in my research project "The Block: A Hip Hop Ethnography." I consider that body of work to be curriculum for schooling white people on how to interact within Hip Hop and the movement as a whole. What I greatly appreciated in the piece was that she called for whites to school whites.


I have watched white youth struggle to grasp (or simply retreat into denial) about the fatality behind their whiteness. I think that with this massive social evolution taking place in front us and Hip Hop being of an age to recognize true growth in our culture, our larger American society and the Human race as a whole, that now is a good time to post these codes up for our younger white brothers and sisters joining the struggle.


I struggled for many years about my white identity, both the legacy it was borne from and the consequences that legacy has had on my global community both past and present. I was hurt, angry, confused, shocked and betrayed. The brutal legacy of white identity is what has always driven me to participate in the struggle so that I can aid in the total destruction of white supremacy.


WHITE LIKE ME10 Codes of Ethics for White People in Hip Hop
by J-Love

This is written by a white person, intended for white people who are engaged in the culture of Hip-Hop. It is created in the spirit of personal and collective growth and development for white people who choose to live by the cultural standards of Hip-Hop. White people are talked about a lot within Hip-Hop in terms of who buys the most records, who controls the industry, the white kids in the burbs who go crazy over it, even white artists who have made it despite their whiteness. But rarely is there talk of how white people affect Hip-Hop, and how Hip-Hop affects us. What are the roles and responsibilities of whites involved in this cultural movement? Have we merely self-imposed ourselves into a culture which doesn't want or need us?

It is time for white folk to stand up and be bold in the dialogue of race and culture, to push the relatively mild interpretations on how and in which way we fit, or don’t fit. Check this 10 point code of ethics for white Hip-Hop heads and see if you can get down with this. Code of Ethics


1. Be aware of your whiteness;As simple as it may sound, it seems as if many white folks down with Hip-Hop try to avoid the fact that they are white, at all costs. This must stop. Acknowledging your whiteness is an important step in recognizing that regardless of who you are as a person, we come from a lineage steeped in racism and white supremacy. We come from an ancestry of oppression, who’s legacy still lives and breaths in the form of institutionalized racism and countless social and economic injustices. This is what we come from, and that we cannot change. What we can change is what we do about it.

2. Be conscious of your unearned privilege;We carry around a *backpack of free hook-ups that we have done nothing to earn. From it we extract a set of VIP passes, gold credit cards, universal passports, and blank checks, all of which gives us more power, more open doors, an unfair advantage *(This concept was originated by Peggy Macintosh and is widely used to break down white privilege). Your skin color is an asset in this world. The more you understand this concept that better you will be at negotiating that power and, as much as possible, figuring out a way to end its’ unfairness.


3. Be deliberate in your role as an ally;An ally means that you participate as a supporter in a movement; you are aware of the ways in which your privilege undermines indigenous leadership, and in understanding that, actively advocates for indigenous leadership ( even if that doesn’t mean you). An ally is someone who lends resources, and who understand their personal goals in the context of a cultural-historical struggle for self determination. White people are allies within hip-hop culture. Let’s work toward leadership that reflects the cultures and communities where it was born. That doesn’t mean that we can’t be active and feel invested in the culture, but we must be aware of how racism plays out in the power paradigm of America, and how it is controlling Hip-Hop culture.

4. Be knowledgeable of the history of the culture;As with any part of our lives, knowledge, wisdom and understanding are the pillars of self and community enlightenment. It is imperative that you study Hip-Hop culture as you would study your own culture, in order to better understand who you are, where you come from, and where you are going. Precisely because we are coming into a culture that was originated by people of color, it is on us to learn and become knowledgeable of Hip-Hop history.


5. Be open to being educated by others;When you’re secure about yourself, you’re more open to acknowledging things you don’t know, or have questions about, or ideas that warrant a good discussion. Listen to what other people have to say about Hip-Hop, and be in the mindset of appreciating new or different information from varying sources. The information you know about Hip-Hop is not stagnant. The lessons are infinite.

6. Be open to educating other white folks;White people don’t always feel like they have an obligation to talk about issues of race and privilege with other white people. However the education and exchange is most critical amongst white people who have the power to create change in the industry and in everyday life. Help white people in power positions to understand the reasons why Hip-Hop exists in the first place; why it’s so important in your life, how it relates, or doesn’t relate to your life experiences. Be confident in your expression of self, and push for the very conversations people try to hide behind.


7. Use your skin privilege to benefit the culture;In this world because of your whiteness you have access to almost anything, and you didn’t have to do anything to get this access. So use the juice that you have to lend support to the culture, any which way you can. Whether it be connections, money, negotiating with folks that won’t feel as threatened talking to you because you’re white, or becoming a cultural interpreter, whatever is needed to benefit your community.

8. Pay homage to the originators of the culture;Once you learn the history of Hip-Hop it is your responsibility to speak on it, educate others, and consistently give props where props are due. One reason why some white folks may not want to do this is because it further magnifies the point that they had nothing to do with creating Hip-Hop. Not that white people haven’t contributed to Hip-Hop since its’ birth, but its’ inception was purely melanin related. So when your in your ciphers, whatever that looks like to you, talk history, pay respect to the creators of the culture your living.


9. Don’t think you are the exception to the rule;YOU ARE NOT THE COOLEST WHITE PERSON IN THE WORLD! (By the way, this code relates to me also) You are not so different and unique as to warrant a special ‘cool white person’ pass. Are you still trying to be the ONLY white person in the crew? Do you feel animosity when other ‘cool’ white kids come around and deflate your ego? Do yourself a favor, instead of trying to diss that other white kid, explaining how they fake or whatever, maybe your should take the time to connect with someone who may be similar in some ways to you. Don‘t push them away or be ashamed, build with them and see them as part of a community within a community.

10. If you can’t abide by the codes, get out; Nuff said.

It is up to each individual to read and digest this 10 point code of ethics. If you find yourself getting angry, upset, or uncomfortable at what you read, then know that you are in a good space. It’s uncomfortable to look at yourself and deal with the ugly realities of the origination of the ‘isms’ and realize that you are inseparable from them. That your skin symbolizes the color of blood and betrayal for colonized people around the world. Stay in the feeling of dis-comfort, for it is in that very feeling that you will find your truth pushing you toward transformation. This is not about feeling guilty. It is about acknowledgement, acceptance, and action. Take your place in Hip-Hop, but do it with consciousness and integrity, for only then can you really call it your own.

Peace. written by J-Love

The Late Jesse Jones

Friday afternoon I was at work smoothing out the details for an event Hip Hop Congress would be putting on the next day for the local youth. As I was discussing the details outside in the blazing sun, keeping a friend company while he sucked on a cancer stick, I noticed Damone a familiar MC from my younger years in the local underground scene. I wasn't shocked to see him since I'm still around underground hip hop everyday. As my coworker engaged him in conversation I eventually confessed that I remembered him from an old school rap group Lackadaisical, a three MC group (which once included Traxamillion) that was part of a larger clique that contributed greatly to the history of Bay Area Hip Hop.

As I revealed to him that I too was old enough to recall the mid-90s in great detail, he revealed to me that Jesse Jones a talented yet troubled MC from the group was killed by the police two years ago.I had to fight back the tears that began to sting my eyes. I had known Jesse through my daughter's father, a music producer, while I was still a teenager. He was very humble as a person yet very confident as an MC. I also recalled the chaotic and reckless vibe that extended from him, as there can be when living inside Hip Hop. I actually ended up cutting the walk down memory lane short and needed to leave to go process Jesse's death on my own time without forcing the rest of the crowd to relive their grief.

I was saddened and disgusted by the nature of Jesse's death, a horrifyingly typical scenario in this culture. I don't know if Jesse still rapped. I don't know anything about him passed the years I saw him perform with Lackadaisical. Life took us down different paths. I often heard stories about him that lead me to believe he was living that gangster lifestyle, I lifestyle I had succumbed to for many years myself.I can remember the last time I saw Jesse; it was over a decade ago. I was worried when I dropped him off. I knew he was young and emotional. I knew he was feeling desperate as we all do when we begin to make that trek from child to adult. I remember searching for the right words to help him keep his head up. That day has been replayed in mind through the years when I would wonder what happened to him. Some of us can navigate through that time easily unscathed, some of us come out battered but safe and some of us falter to a system that tries to fatally oppress us. It makes me so damn angry.

I wish that Jesse was here. But that's a selfish wish. If he is better off than I am grateful that God brought him Home. I wish that I could have found the words that last day I saw him to help ease his scattered mind. The nature of Hip Hop forces you to deal with horrendous tragedy but that doesn't mean that it gets easier to deal with the senseless deaths that comes along with it. In fact I am so sick of it!

So here I am writing this down to pay respect to the late Jesse Jones. I hope that he can feel my love.

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